I didn’t encounter a single crash in two weeks of testing, and I loaded every mix up with just about every new thing that they added. Digital Performer has always been one of the most stable workstations you could use, and DP9 continues that trend. MOTU has created something really special in DP9. I’m a big fan of anything that saves me time, and trying to hone in on what tracks are infringing on the frequency range of other tracks can happen much quicker with this feature. Muting MIDI notes is also pretty cool, and since I do a lot of keyswitching/articulating in the sequence editor, I can now temporarily mute an articulation change and put it back with the click of a shortcut.įinally, a full on spectrogram for each audio track built inside of the sequence editor is way cool. MIDI learn for audio plugins has long been on my ‘want list’ for Digital Performer and I’m thrilled it’s finally here. You can do all of your score tweaking in Digital Performer and feel confident that once you open the score in Finale or Sibelius, it will look the way you wanted it to look. As someone who has to send out charts for print often, the ability to finally preserve all the changes to the letter that I make in the quick scribe window is extremely time saving. There are numerous new features but I’ll give you a smattering of the ones that stood out as truly useful to me. You can even bus audio to it and mix it with the original source for some sweet doubling of melodic lines! Interface Tweaks and More It’s a truly well polished plugin that allows you to make a synth out of just about any instrument. You can input any signal into MegaSynth and have all the envelopes, LFOs, pattern generation, sub octave, and square wave tones you can shake a stick at. It’s a subtractive synth processor that will let you guitarists finally join in on the fun that us self-confessed Moog-heads have been enjoying for years. Perhaps my favorite (ok, I’m a synth guy) of the bunch is MegaSynth. And if you’re ready to buy it for yourself, check out the links below.There’s a MultiFuzz distortion kit and MicroG/B polyphonic octave generators for guitar/bass. If you want to learn more about Digital Performer 10, go check out MOTU’s website. This also now gives some current users a chance to use these features for the first time, which is definitely a plus. While it’s safe to say that a lot of these new features with Digital Performer 10 are ones that can already be found through some more popular DAWs like Ableton Live 10, this is a great way for the company to take Digital Performer to the next level. While those are the primary new features of Digital Performer 10 from MOTU, some other features include a redesigned Content Browser, VST3 plug-in support, and a 5GB sound bank with a giant library of software instruments to choose from. Users can create as many VCA groups as they want, and can even create subgroups by assigning a VCA to control another VCA. With this new feature, users can now group any tracks to a given VCA fader to adjust the group’s volume as a whole while maintaining relative levels throughout. VCA FadersĪnother great feature that was added to Digital Performer 10, and effectively brings it into the modern mixing world is the inclusion of VCA Faders. All of this, while maintaining a great audio integrity throughout. The stretch audio feature in the new MOTU Digital Performer workstation is powered by ZTX Pro technology, and allows the user an intelligent new way to stretch their samples and move anchor points to achieve the perfect feel. The clips window is also great for mapping those samples to a MIDI contoller and triggering them when needed. Users can drag samples to the empty cells, which then get cued for playback and then loop until the next track on deck is ready to go. The newly added clips window in Digital Performer 10 contains a series of empty cells on any given track that are designed especially for live performances. Here’s a run down of some of those exciting new features. With Digital Performer 10, we get some exciting new features that will make the perfect track even more accessible. Since then, producers and engineers from many walks of life have definitely embraced the software for its intuitive layout, especially for electronic producers who also want to take their creations to the stage. MOTU has been releasing versions of Digital Performer ever since its original release in 1990. One of the exciting announcements that was made right at the starting gun of NAMM 2019 was a brand new version of the flagship DAW from MOTU - Digital Performer 10.
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